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Infertile patients cannot afford to wait for treatment while their eggs get older.

Dr. Sherman Silber, Infertility Center of St. Louis, is offering video consultations for patients who need to plan now for their treatment while stay-at-home orders are in place. He is talking to and evaluating patients in their home to comply with social distancing measures.

Dr. Silber is discovering that patients actually prefer this method of telemedicine consultation over the conventional office visit. Patients have conveyed that “it is so much more convenient and less stressful” to have a telemedicine personal consultation than to take a day off from work to travel to the doctor’s office and sit with other nervous patients in the waiting room.

The COVID-19 pandemic is thus changing much of the way we will do things in the future, and for the better. “Our patients are surprisingly much happier with this approach. Of course, at some point we need to perform hands on treatment. But with this new manner of seeing patients, we can come to the right diagnosis and treatment plan for most patients more efficiently, quickly, and painlessly, with no loss of personal one-on-one communication.” This is a very welcome new era of telemedicine that has been forced on us by the current difficult times.

83 & Still Flying: Father-Son Ski Day with Steve — Speed, Spirit & The Mountains

This intimate short captures a father–son ritual on snow: returning “home” to their favorite mountain, riding lifts into thin air and carving back down with as much speed as joy allows. The narrator—82 during filming and now 83—frames each run as a vow to keep moving for as long as God permits. His son, Steve, skis with fluid, professional ease; Dad jokes he’s “just barely getting by,” yet that gap in ability becomes the film’s heartbeat, not a hurdle. What matters is presence: being up here, together, in the white silence where edges hum and time loosens.

The piece intercuts quick, breath-clouded clips—boot buckles snapping, poles clicking, first turns on corduroy—with reflective voiceover about aging, devotion, and purpose. The skier no longer seeks double-black chutes; simple slopes suffice. But “simple” doesn’t mean small: he still needs speed, still craves the feeling of flight the mountain gives. The runs become moving prayers, a way to “interface with the infinite” and feel a close hand on the shoulder—faith rendered in motion rather than words.

Cinematography keeps the camera low and forward, placing viewers in the fall line. Cutaways linger on Steve pacing beside his father, matching speed, offering space rather than instruction—a portrait of quiet care. Sound design is spare: wind over a mic, the sizzle of skis, and a few warm “Heat… up here” exhalations that read like mantra. The closing lines are a promise: he won’t stop at 83 or 84; he’ll ski until he’s told—by body or by heaven—that it’s time. In that refusal lies the film’s gift: a reminder that endurance isn’t bravado but love—of mountains, of family, of the life that still accelerates when pointed downhill.