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Infertile patients cannot afford to wait for treatment while their eggs get older.

Dr. Sherman Silber, Infertility Center of St. Louis, is offering video consultations for patients who need to plan now for their treatment while stay-at-home orders are in place. He is talking to and evaluating patients in their home to comply with social distancing measures.

Dr. Silber is discovering that patients actually prefer this method of telemedicine consultation over the conventional office visit. Patients have conveyed that “it is so much more convenient and less stressful” to have a telemedicine personal consultation than to take a day off from work to travel to the doctor’s office and sit with other nervous patients in the waiting room.

The COVID-19 pandemic is thus changing much of the way we will do things in the future, and for the better. “Our patients are surprisingly much happier with this approach. Of course, at some point we need to perform hands on treatment. But with this new manner of seeing patients, we can come to the right diagnosis and treatment plan for most patients more efficiently, quickly, and painlessly, with no loss of personal one-on-one communication.” This is a very welcome new era of telemedicine that has been forced on us by the current difficult times.

Alaska Family Reunion: Salmon Runs, Grizzlies & Off-Grid Joy with 21 Loved Ones

This Alaska family film revisits a tradition first captured in 2018, when there were “only” eight grandchildren. Now the clan has blossomed—two sons-in-law, a daughter-in-law, and three great-grandchildren—21 loved ones gathering in 2023 to celebrate life off-grid on Lake Clark. From a porch with a sweeping 270-degree panorama—waterfalls, peaks, changing light—the trip blends outdoor adventure with what the narrator calls a deeply spiritual experience: “interfacing with God in the raw.”

Fishing anchors the days. Sockeye surge up the Copper River; grandkids hook rainbows and bright red salmon amid shouts of “Shoot, shoot!” for the camera before careful catch-and-release—“go make some babies.” Between drifts, a grizzly materializes along the bank, a reminder that every float can turn into a wildlife encounter.

The family hikes miles of tundra to Katmai’s confluence of the Moraine River and Funnel Creek, where brown bears charge riffles for hard-won salmon. Contrary to their bulky look, the bears’ bursts of speed and stamina astonish—more agile than they appear, and often forced to dash ashore with a catch to avoid theft by rivals. These moments of raw nature—skill, failure, perseverance—mirror the family’s own rhythms of play, birthdays, and song.

Camp life is simple and intimate: five acres of cabins in a 5.5-million-acre wilderness, no roads or neighbors. Cousins who have never met—Ziggy and Shoshi—bond instantly, while piano lines from Grandma float through the lodge between spirited, affectionate banter. A 25th birthday earns off-key choruses and high-fives; gear checks and rain hats become rituals of care.

The film’s thread is connection: to wild places, to one another, and to the transcendent. In this setting, faith feels tangible—the landscape itself a liturgy. The closing voiceover crystallizes the theme: out here, connection to the universe becomes the substrate for closeness to our fellow humans and to the eternal.